Too much or too little?

Etsy Pricing and hair pulling– I’ve been having trouble deciding how much to charge for my pots on Etsy. There was a point when I was charging $30-$35 for tea bowls, and that was when I was less experienced in ceramics. They were selling like hot cakes. Maybe it’s the tea bowl trend, but I feel like I should be doing better on Etsy. (here’s what was selling so quickly)

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I don’t want to under sell myself, because my work is tedious, uses expensive materials, and takes a considerable amount of time to finish. Not to mention Etsy fees and the time it takes to create each listing. I’m not trying to justify charging some outrageous amount because after all, pots do pile up. I just don’t know if my prices are too competitive and should be higher, but I don’t want to disappoint the shop viewers I already have by nudging up prices. Pricing my work is difficult because it feels like putting a price on myself. Here’s a link to my Etsy shop– take a look and tell me your opinion on my prices! No wrong answers here, just looking for viewer feedback.

http://www.etsy.com/shop/KiraCallCeramics

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Mug Perfection

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Perfect is a loaded word, for sure. But I am seriously so happy with how these mugs have been coming out of the kiln. They are exactly how I envisioned them when I came up with the design. Sure, they might not be perfect, but I am happy with them. The glaze turned out perfectly satiny and just hazy enough to make the separation between glaze and under glaze noticeable (aside from the obvious texture difference). The under glaze was easy to sand smooth. I am making these mugs in all sorts of color variations, fading from dark to light colors and the other way around. Sometimes I just put a solid color on the whole thing and let the glaze do the rest of the work.

 

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This mug fades from dark bluish green to black on the bottom.

 

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And finally, my first ever PINK pot. A while ago, my little sister asked if I could make her something pink, but I wasn’t sure of the best way to do it. The underglaze I actually used for this is labeled violet and maroon, but it appears to be pretty pink after the firing.

All three of these awesome mugs are available for sale in my Etsy shop, and all are just $26 each plus shipping! Here’s the link to my shop:

http://www.etsy.com/shop/KiraCallCeramics

All items ship internationally. Cheers!

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Working my way off the “high dive”

I’ve been having a hard time finding motivation the last couple of weeks. I caught a flu over the holidays and I still feel like I’m trying to get over it, but we’ve been having subzero “real feel” temperatures here in Massachusetts. It’s noticeable in the studio throwing room, and I haven’t thrown anything since I got back from vacation. I’ve been trying to get my clay in working order– the bags of clay I had dried out enough to be too hard to work with so I sliced it all up to dry out and re-mix.

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Clay aside, I have had some good ideas of things I plan to make soon. I want to make more pitcher jugs, big bowls, and bottle vases. The plate above is one of my entries into a clay surface decoration exhibition. It’s about time I charge into some calls for entries. I’ve talked about entering into more shows but last summer it just didn’t happen. I did enter the Ceramics Monthly Undergrad showcase, but nothing came of it. I’ve decided I just need to jump on more opportunities, and this clay print exhibition in Maryland is perfect for my work.

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I feel like I’ve reached a point in my ceramic work where I am confident about entering it into shows and taking more of those risks. I am also entering a mug exhibition soon. Cheers to diving in headfirst!

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New Work

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I fired some work here in Massachusetts just a few days before I flew home for the holidays. I was able to photograph some of the pots back here in Massachusetts a few days ago. I’m really excited about how my new work is turning out. The colors are vibrant and happy, the drawing design is simple and textural, and the glaze is satisfyingly satiny. I’m trying to gear up to have a busy year of selling and exhibiting my work. I’ve amped up my Etsy shop so that I have more than double the items available for sale (www.Etsy.com/shop/KiraCallCeramics).

 

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Just today, I entered some work for a print on clay exhibition in Baltimore. My fingers are crossed that I will get in. I entered for the undergraduate student showcase in Ceramics Monthly last summer and wasn’t one of the lucky chosen ones, but I guess that just means I have to be more aggressive about applying for other opportunities. I have a really great feeling about my newest work, and I am confident that it will find its place somewhere in the ceramic art world.

 

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Spring Fever

Snow dusts the ground of the Berkshires

People hide in their houses

I sit outside with a tobacco pipe

The cold bites my nose, but there’s something on my mind.

 

Life is a bigger picture than I can see

With the vision field of a young girl

I can walk in circles and never see the frame

I dwell in the future and blame my laziness on a bigger game.

 

I live in the now with my eyes turned forward

Reading a book on my bed

My thoughts are somewhere else

I watch deadlines pass by and wait for the snow to melt.

 

I dream of the Oregon coast in its green glory

I’m three thousand miles away on the east coast.

In the town of Ashland Oregon

I’ll find greener grass when the timing comes.

 

The sweetest words brush my ears

My personal life lives in phone calls

I’m content as a lone wolf in the forest

Walking through the birch trees, my mind’s at its best.

 

Day in, day out, I hibernate

Lost in thoughts of next summer

Spring and the budding of leaves

Waiting away winter, spring fever is my downfall disease.

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Black and White

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Above is a photo I took of the bottom of a finished and fired cup that I made recently. It translates so well into a graphic photo. Although I’m hooked on the bright colors of my recent work, I can’t get over the black and white design. The pots just come out so well and they have such visual contrast that they will make great entries for future exhibitions. I’ve been doing more ink drawings lately, and I just bought a new sketchbook a couple of weeks ago.

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I drew this chickadee on the first day I bought the new sketchbook. It was a quick study from an instagram photo that I was looking at on my phone. The day before I drew it, I was watching little birds flit from tree to tree in the back yard covered in fresh snow. There were these tiny black and white birds that caught my eye, and I read “The Tracker” not too long ago. It had a passage about chickadees flying around in a blizzard, and described how they were always so happy and optimistic, even when all of the other birds went under cover from the snow storm. After seeing the birds in the back yard, I looked up photos of chickadees and was happy to see that it was the exact same bird. I’m not much of a bird watcher. I know the obvious ones like bluebirds, blue jays, hawks, cardinals, crows, and magpies, but I have never purchased a bird field guide or anything to give me exact names for the unique birds I see here in Massachusetts. After drawing this bird, I decided that I would draw some pots purely in black ink on white paper with no color frivolities or black colored pencil shading like my other sketches of pots.

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What I came up with is this (above). I’m drawing the black and white pots and making new business cards and graphics for Etsy and Facebook. They are clean, dramatic, and represent my new work really well. I put the cup from the top photo on Etsy. You can find it here: https://www.etsy.com/listing/215623238/small-cup?ref=shop_home_active_2

Also, feel free to check out my Facebook page, Kira Call Ceramics, here at this link: https://www.facebook.com/kiracallceramics

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Getting closer

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I’m really satisfied with the way my pebble design looks on my curvy cups. I just made some bowls but haven’t decorated them yet, but I have been thinking that I should branch out and make other forms. I’ve been contemplating a new pitcher shape, and large mixing bowls, and making more bud vases. I haven’t decorated a single one of my bud vases this way yet. Anyway, they look good coming out of the glaze firing, too. Below is a close up of the division between the glazed black surface and the velvety black slip without any glaze.

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This is a test clay body, and I don’t actually like the crackle look going on in the glaze (the crazing). I am thinking about adding a little more custer feldspar to my clay to see if it helps the glaze fit better. Looks like it might be time to dump the clay body and glaze into digital insight to pick them apart and mess with the thermal expansion.

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Pebbles!

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My latest design idea evolved from my “amoeba” design. I’ve decided it looks like pebbles falling through water, the biggest and heaviest settling first, followed by the smaller ones on top. I’m gonna keep rockin’ and rollin’ with it, because I’m getting a good vibe. Yeah, I know it’s not botanically inspired at all, but for now it feels like a solid design idea that I’m visually attracted to. No, it won’t be the end of my botanicals, but it is a good chapter for my ceramic work.

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In other news, I’ve added a few new things to my Etsy shop today, one of which is this bud vase. Shop on Etsy for the holidays and support handmade! You can find this vase at https://www.etsy.com/listing/211528799/green-blue-black-fade-eucalyptus-leaves?ref=shop_home_active_1    along with a bunch of other classy pots for sale!

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New Mugs in the Making

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Alright, so once upon I time in my ceramic education at Utah State University, someone told me that you always make the same handle for every mug. I’ve been trying to prove that theory false with the evolution of my mug handles. I have different methods of handle making, and I’ve been pulling thinker rounded handles. I’ve always attached my handles after they’ve been pulled, but I have recently changed the way I pull handles. I am making them thicker and shorter, and a little rounder in cross section. I’ve been trying to aim for that perfect balance between attachment thicknesses where the middle of the handle is slightly thinner than both attaching ends, but I like to keep the top attachment thicker than the bottom one.

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This is my latest design idea for my thick one-finger handled mugs. I like the visual texture of these random shapes, floating in random patterns branching from a thicker accumulation of the shapes. It evolved from my “amoeba” design that I was using before. Once fired, these will have a glossy to satin thick glaze running along the waxed line above the shapes. I’m really excited about the design 🙂

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Here’s a teapot with the amoeba design on it. If you like what you see, it’s listed in my Etsy shop, along with a bunch of other equally colorful fun pots. The gift giving season is coming up, and handmade pottery is always a nice cozy surprise. Support individual artists! 😉

http://www.etsy.com/shop/KirasPotshop

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Mastering my ceramic surfaces!

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Well, I think I’m getting really satisfied with my ability to get the surfaces I want. I am addicted to using spray bottles. They give me quick and elegant surfaces, and with the underglazes I invest in, I am confident that the colors will stay brilliant. What I’ve found is that I prefer not to cover my colors with glazes, despite years of critiques where people suggested that a glazed surface would feel more appealing to the touch. Maybe it was true when I was using sandy red clay, but with smooth clay all it needs is some good sanding and it feels like velvet. Also, I do use a thin sprayed layer of Gerstley borate on many of my surfaces. However, with the amoeba design (above), the colors are much more bold when I don’t cover them with a flux.

I am trying to bring back one of my glaze calculation miracles, but the materials seem to be a little different in the studio here. I’ve been trying to refine zinc oxide to a more powdery form, because in the drawer it literally looks like chunks of white rock. I used a mortar and pestle the other day. I loaded a glaze kiln today with the tests in it and programmed it to my usual firing here. I did some color additions (roughly) of red iron oxide, black nickel oxide, cobalt carbonate, and chrome oxide. I even mixed the cobalt and nickel glazes together to see if I get a purple of sorts. What I’m looking for is floating crystals on the surface. When I added 3% copper and fired in oxidation with a natural cooling rate, it came to me easy. It is definitely an oxidation effect, because in parts where it got reduced the crystals didn’t occur as much.

 

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This teapot is another kind of surface experiment– or two mixed together. I sprayed a yellow base like on lots of other pots, then used a cut-out to spray the red circle, then waxed it and carved the orchid, filled the lines with white, waxed that part again, and sprayed watered down black underglaze over the wax, letting it bead up in some areas more than others. The beads flatten down for the most part, but it gives a snake or frog’s skin look.

 

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This starry looking slipper orchid  mug was one of my favorite things out of my last firing, but it split down one side so I can’t use it unless I feel like using a big glob of epoxy 😦

 

 

 

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