My Autobiography in Craft- Part 1.

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For me, craft has always been about the process. Since I was young I’ve been drawn to learning the process in which things around me are made. I used to make paper sculptures, like giraffes and dolls, and even a T.V. once when I was about six years old. My first dabble in ceramics was when I was seven, and our teacher took us to the school’s ceramic studio for a day. She told us to make a pinch bowl first, and then let us make whatever we wanted. I loved the idea of something I made being able to be used (albeit the things I made then were heavy and too small to hold anything realistic). She took us in a week later to glaze the things we made, but after that I didn’t do anything with clay until I reached my second year of college.

Instead, I made use of a wide variety of craft materials. I started folding paper at age seven, and my grandma taught me to crochet and knit at age nine. At age eleven I was learning macramé and at age twelve I had started working with wire to make my own jewelry, including a non-pierced earring design that I still wear today at age twenty-two (most people don’t notice that my ears aren’t actually pierced).

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At age twelve, I was also taking piano lessons and simultaneously composing music on my own. I recorded an entire album of self-composed new age instrumental piano music, called “Eslithia” when I was fourteen.

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At age fourteen, I started using my wire-working skills and combined it with my new interest in glass seed beads and started making small-scale sculptures such as flowers and animals and even a few small flower bud vases by stringing the beads on thin wire and wrapping it around a stronger wire frame. I yearned for a functional medium, but I was still five years away from discovering my true craft medium.

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I continued with all of the different mediums I had learned throughout the years, and I also continued with music. I started learning how to play the guitar at age fourteen. I was part of my high school’s ballroom dance team, the school’s junior women’s choir, and the school’s musical production club. I still found time to work on craft projects at home and fill my sketchbooks during classes.

I started sewing clothes for myself out of curiosity. Instead of using store-bought patterns, I looked at the clothes I already owned and created cutout patterns by seeing the different shapes. I painted the shirts I made, and soon had about ten different ones that I would wear to school. In combination with my sculptural jewelry, I had a unique style of my own.

I started writing lyrical songs with my guitar in my Sophomore year of high school, and in my Junior year, I won the high school’s talent show with my first complete original song, “Show Me the Simple Things”.

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Recovering

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Hello, all. Happy Monday afternoon 🙂 I just spend the weekend being absolutely lazy for once I finished two small drawings, but that’s as productive as I got for the last 3 days. The photo is one of my studio shoots of a pair of chrysanthemum tumblers that I made back in April. They are some of my favorites, but I haven’t been able to find one of them in months.

So last week was a bit socially dramatic. Today is anticlimactic. I’m sitting on the soft carpeted floor of my moms living room next to the real Christmas tree that her boyfriend convinced her to get. It smells lovely. I’m sipping on luke warm french pressed coffee, still wearing my superman pajama shirt at 1:25pm. What’s going through my mind? I’m debating on whether I should rush back through the canyon and work a miniscule 2 hours, but I will probably take my time at this point and just go straight to the studio when I drive back. I’m working on another moss sculpture at home for work,  no biggie. The thing is that over the past couple of weeks, my allergies got so bad that my energy has been drained. Air quality in Logan Utah is getting worse. And it’s affecting me directly. But today I have the motivation to get some work done.

I also have to move at the end of the week. Unfortunately, I move enough lately that it’s not news, it’s just a chore I’ve had to do about every other month. I could be a professional by now 😛

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Recooperating and Exploding with Ideas

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Yes, the sale is over. Three days of waiting and hoping for work to sell– I put in a lot of effort for the sale. Day 1: make brownies and wear a nice dress/hair/earrings, make playlist on iPod especially for the sale, and be on shift for 4 of the busiest sale hours. Day 2: on shift starting at noon, bring guitar and music books AND gigantic heavy amp to perform live music all day, and wrap pots when needed to (and refill my table because things kept selling and with only one table to arrange them on, it started looking sparse quickly). I played guitar from about 1:00pm until after 5:00pm. Day 3: refill pots, and I baked bread before going to the studio and shared a loaf with everyone I could find. I didn’t have a shift on day 3, but I felt the need to make something in the studio, so I threw ten pots. BUT on that day I also had a party to make an appearance at at 6:30pm with a dish of food and then I promised a friend to make him birthday dinner– and my mom mentioned that she would be in town sometime and wanted to catch up– I didn’t actually see her. After everything was done for the day, all I wanted to do was sit on the couch and watch Netflix.

On Sunday, I went into the studio thinking I would be productive because I felt like working on things– but instead, my allergy symptoms elevated to a point where I could hardly function. I started making things out of slabs, then squished all of it, squished one of the mugs I threw because it had a thin bottom, and was sneezing too much to even think about handling the delicate spoons I had pulled earlier. So I went home.

I took a picture of the plant above because its texture intrigues me. I want to translate it visually to my pots. I still have to figure it out– maybe I will illustrate it on any surviving pots from Saturday.

 

 

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This is a quick picture I took on Saturday morning– I was drawing and enjoying a delicious latte out of my newest mug. I call it my Scooby-Doo mug, from the green and purple color scheme. The glaze was supposed to go Pacific blue, but the little test kiln has such uneven reduction/oxidation that I couldn’t keep one side oxidized and everything went purple. Oooohhhh, copper carbonate. How you bewilder me.

 

My allergies are still holding me hostage. Hope today will be better. I’ve found that sucking on lemon drops helps for some reason.

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This is why I create what I create!

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Above is a photo of one of my favorite teapots in my new body of work. Why is it my favorite? Because it turned out even BETTER than I was hoping for. The glaze has amazing depth and dynamics that I certainly couldn’t predict. The deep blue crystal formations floating on the surface were slightly noticeable on the first test tile, but I never knew how beautiful the effect would be on the surface of my pots. The copper carbonate in the glaze also “fumes” around my underglaze, creating a sort of natural vignette. As far as the illustration goes, it’s my favorite orchid as of late, Miltonia clowesii. It is a native of Brazil– speaking of, I have some big news.

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(The photo is of my most recent tea cups that I finished decorating last night. which also have the Miltonia clowesii on them)

A couple of weeks ago, I was nominated by my professor to compete for the Windgate Fellowship Award. It is a craft based award, given to 10 lucky crafters in the United States every year. There are 115 universities invited to participate, and only 2 nominees chosen from each university. In short, it is a great honor to even be nominated to compete. The 10 winners receive a $15,000 grant award to use to further develop their craft– often contributing to a trip abroad. The day I got the email about being nominated and read through the past awardees’ plans, I came up with something brilliant. The basic idea is that I want to go to Brazil for a month to see the Amazon rain forest and find different plants and animals to inspire me– and then come back, hopefully get my own kiln, materials, and strap down to just make work for a few months until I have enough to put together my own exhibition of the work. Depending on how well I present my plan to the board depends on whether I even have a chance. I’ve thought about it a bunch, and I am considering taking the trip to Brazil even if I don’t win. Just because I’ve always wanted to see the tropics in South America, and I have a few contacts down there already. I won’t be able to afford the kiln I want for a while, but someday I will make things work out. For now, I just gotta work on the proposal and keep creating my ceramic work 🙂

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Has it been a long time? Yes, I suppose it’s been a while. I’ve been busy!

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The above photo is of a moss sculpture that I made for work via my bosses request. It’s about 5 inches tall, and I made it out of Sculpey clay, steel wire, acrylic paint, top coat nail polish, and a bunch of patience. I take my time on these because my boss actually pays me by the hour to do them– so the more time I spend on them, the better they are, and the more time I can be paid for! Of course, there’s a certain honor code that goes along with this sort of job. This sculpture didn’t take me more than 11 hours total. But every detail counts towards making a great sculpture– the little white dots are actually specks of white clay that I added to the surface with a needle tool, then gave a kiss of red paint to to imitate lichens and such. I had to make each one of the moss leaves/bracts individually, and working with wire as an internal structure to soft clay is never easy. Anyway, I need to make another type of moss sculpture as well– the things I do when I can’t spend another hour in the basement at work for the week…

 

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In more exciting and innovative news, I’m making leaps and bounds with my knowledge of music and home recording technology. My goal is to make a Christmas CD to give to a few select family members. I was hoping to have a few copies by this week because I volunteered to play at the Ceramics Annual Holiday Sale, so it would have been nice to have a CD if anyone asked for it. Oh well. The effort I put into it will be better to just give to family.

The sale will be a good small gig. I’ve thought about volunteering for the past couple of years, but ended up being too shy and then my friends always have some sort of music already playing from an iPod dock. I haven’t shot the idea to the entire guild yet, but there was talk of hiring a guitarist anyway. I’ll be happy to play for free… some day maybe I’ll have a paid gig, but I’m not gonna ask the guild to pay me.

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Figety Fudgety FOO!

If you want a good laugh, listen to this silly improvised song about “fidgeting”– it might have you doubled over in laughter 😛

Just because you’ve gotta have fun sometimes. Wrote this song on improv– I invited a friend over for homemade pizza and ended up sitting on the couch with my guitar in my lap… so something silly was inevitably bound to happen. Yes. That is me singing and playing guitar… very rambunctiously. And completely sober, believe it or not! 😀

 

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One of those nights…

So, today is one of those thinking days… the kind where you remember good times, and also the people who hurt you. For me, I remembered a few people who I met in Auz. I also remembered a good old friend of mine who I don’t really talk to anymore– for big reasons that exploded and evaporated. But tonight is a thinking night. I tried going to the studio for a bit of solace– only to find it crowded, messy, and noisy. Usually, at 9:00pm, people are mostly gone except grad students and a few classmates. None of my classmates where there. I tried tuning the noise out with “Half Moon Run” (a great Canadian band that my Aussie museo friends turned me onto) and that kind of got me thinking about the people I met while in Australia.

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So tonight, I came back home after decorating a few things, to have a bit of peace and quiet. I haven’t actually let myself have time to be alone since I got back from Australia. It has been “go, go, go!” what with getting back to my job, a studio where I can have a bit more freedom, and trying to make time to see my family. I have kept myself busy. Not to mention having my own place and trying to keep up with all of my own messes in between everything else.

I have been thinking lately, about getting back to drawing and jewelry making. I never sold much jewelry, but I always enjoyed making it. Guess I should try wearing it every now and then. But I want to do more watercolor drawings, like the one above. That one is now framed and hanging in my living room area. I want to draw, but I don’t have my watercolors here and I don’t have a specific idea to start with. I just feel like I want to draw. Maybe I will.

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I think… I’ve got the blue glaze I want :)

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I loaded a kiln on Friday night, fired for 9 hours and 25 minutes on Saturday, unloaded Sunday afternoon, and got the most exciting glaze results I’ve had in a while. I was literally jumping with joy while holding this sweet little mug. The barium yellow glaze didn’t work out in this firing. Guess it likes a bit more reduction. I tend to fire in oxidation to keep my porcelain white and my colors warm. But the Woo Blue glaze worked out better than planned. I will try to get a few better photos… the crystals on the surface are pretty fantastic 🙂

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Color tile testing– I think I’ve got what I want!

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So, I drew up my color tiles instead of making tiles and painting underglaze, doing inlay, waxing, and glazing them… I saved a bunch of time. My justification: it’s like choosing wallpaper. This isn’t a shortcut just to be a shortcut. I’ve already tested all of the glazes and underglazes. I just had to decide on the right color palette. I’m not taking huge risks here, but this does help me to visualize what I want. I’ve already got a kiln load being prepared so I can fire on Saturday. I found a couple of vibrant glazes that I’m really excited about– the blue and the yellow glaze. The photo doesn’t do them justice, but they’ve got these surface crystals going on that makes a great visual texture. The glazes are slightly matte, but not underfired or crystalline mattes. Well, I guess the crystal growth on the surface may be partially responsible.

I drew these up with a pen and a bunch of colored pencils, but it will be way better once I get some pots out of my kiln after this weekend. The surface of the blue glaze has these cobalt blue crystal formations on the surface that make me excited. I tried to draw them in, but it’s not nearly as effective as the real thing.

I also came up with a new glazing technique– since my new brightly colored glazes probably aren’t considered food safe, I’ve gotta have a different liner glaze on everything, so I’ve started waxing the interiors of my pots after putting the liner glaze on. Why? Because I want to keep the rim glaze line crisp and defined as best as I can, no glaze mistakes and drips– wax is the long-cut/short-cut to what I want. It takes forever to apply by brush to each and every pot, but I know it will be worth it in the firing– I will have more sellable pots per ratio. I learned that glazing technique from a friend (Adam Field of Adam Field Pottery) at a workshop in the summer of 2012.

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Hey, all– here are a few new ideas out of my studio!

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I’m continuing the aloe surface design, because it seems to be successful. The form design, however, is brand new! Lately I have been making a lot of lattes and cappuccinos at home, so I decided it would be a great idea to make cappuccino/latte mugs based on my latest bowl form.

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Also, the red-orange underglaze that I’ve been making by mixing red and orange AMACO underglazes together seems to be the best hue of red that suits my work. The red on its own is way too stop sign, and the orange reads like construction 😛 so mixing the two together became the perfect balance. As far as my underglazes go, they are sort of evolving into engobes. I’ve been adding a bit of gerstley borate in liquid deflocculated form to each color that seems too dry post-firing. I would rather have a semi-gloss surface, but only slightly. I made a teapot in Auz that captured the perfect surface I am going for. It had a smooth but crystal-ly iridescence to it that I probably won’t be able to recreate. I did bring the teapot home with me. I’m just trying to figure out how much gerstley borate I have to add in order to get that balance again. It also depends on firing temp.

My newest glaze idea is to bring back the blue– but with a little more texture. It won’t be like the glossy oribe that came out of my salt kiln. That glaze was really nice when it actually got enough salt and stayed oxidized, but even a hint of reduction made pink spots in it and turned it to a weird crystal matte green. It wasn’t bad when it was even (without pink spots), but that was also a rarity. Instead of trying to recreate the impossible in an atmospheric salt kiln, I have been testing various glazes in an indoor gas kiln– doing my best to fire in oxidation. They are barium glazes, which sounds a little scary, so I also want to figure out how to cleanly dip-apply a liner glaze to the inside that is food safe. It just means more wax resist and more time.

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