New News

Bubbly Bowl

Photo: Bubbly Bowl. 12″ x 12″ x 6″, Slip cast porcelain, cone 10. Kira Call, 2012.

So, it’s time for a new semester. Oddly enough, I wasn’t looking forward to it. I tried to make the break last as long as I could, but I had a meeting with my lawyer this morning, and I couldn’t miss it. I want to go back to watching TV shows and James Bond movies, but the world has other plans for me. I guess I could do that if I really wanted to, but I registered and paid for classes, so I shouldn’t miss them. Plus, I have a ba-jillion new ideas that I want to work on this semester. My mind was exploding yesterday on my drive to work. I want to try some soda firing this semester, since I really liked my results from the summer workshop. I will probably just start by firing the soda test kiln. I have a new surface design idea that will blow my past work out of the water.

Speaking of water, I also had a killer new drawing/painting idea… it’s related to the tea-stained drawings I was doing last year, but with a twist– COLOR! Yep, that’s right. I am spraying watercolors from spray bottles to create a misty abstract back wash for my black and white drawings with hints of color. I have a really good feeling about it…

Here’s an example of what I did last year:

Tea Portrait 1

And a more abstract one without color besides the tea and black pen:

Abstract Deer

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Stretch

Aspen Tumblers

 

Photo: Aspen Tree Tumblers. 6″ tall, 3″ in diameter. Slip cast porcelain.

 

Okay. The break is getting closer to the end, which means my endless days of being lazy will eventually end. Sleep has been good… but I still haven’t been giving myself enough of it. I have been enjoying good food and I have been exercising a lot to take advantage of the opportunity. It’s a good feeling. I’ve been working for my old boss, which has also been a good experience. Plus, when I go back to school this semester, I can look forward to living someplace I’m already familiar with. Yes, I will have a roommate in the same room with me so I will probably complain about that eventually… but right now, I am grateful.

I’m getting this feeling that I’m messing up by only focusing on ceramics for my major study emphasis. It almost feels like I need to be doing/creating something more meaningful than pots and trinkets. Don’t get me wrong, I enjoy it a lot. It’s just that I feel like I can be doing more since I do have the ability to draw and I have ideas that go beyond mugs and bowls and pitchers and plates. I like the idea of designing new forms and testing their functionality, but I don’t like making full sets, and I don’t think there are too many galleries that would accept a little pair of cups and sell them for a pretty penny. My name isn’t that big. Besides, I do want to get into galleries– and not with pots. I want to create something “epic”. Something that gives me the sense of accomplishment that I crave. It doesn’t have to be something huge, but I feel like I need to be pushing my boundaries. I need to combine mediums and make something that no one has ever even conceived doing before. I guess I have at least 2 more semesters to try to find it.

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Why Trees?

Why Trees- Celadon Jar

 

Photo: “Why Trees?” Porcelain, cone 10 reduction, Celadon glaze with under-glaze black. Kira Call, 2012.

 

 

“Get some sleep,” “Close your eyes,”

“Just relax, let free your mind.”

Finding distractions, daylight is sanity

Night wears on, early morning finds me–

Waiting for sleep to take control

Waiting for distraction to sooth my soul.

Keep in check the hours that pass–

Watch the clock, late for class.

I watch other people go on in monotony,

Moment to moment, things they’ll never see.

They live in bliss, ordinary trials

I watch in envy as couples smile.

It’s all I can do to appear intact,

Grateful for days when I can smile back.

“It’s almost over, you’re almost free”

Something tells me that’s how it should be–

Free to smile, free to feel,

Free to decide, free to reveal.

Changing camouflage, changing pace.

Watch feelings conceal as I change my face.

Paint on a smile, say “Hello,”

“How are you?” “Fine,” I say as I go.

I wish it were true, soon it will be.

If I keep pretending, then just– maybe.

 

“Why trees?” That’s a good question. Lately, I’ve been asked that about my work in the studio. Trees are a constant. They have been for me ever since I can remember. I find comfort in trees– fruit trees, like the apple trees in my grandma’s back yard, birch trees, because of their familiar paper bark and stark contrast between black and white, dead trees, because of an old gnarled log my dad used to keep in the flower bed… and I basically grew up in the forest at the base of the canyon, just a couple of blocks away from my dad’s house. Trees give me comfort– they hid me in the forest when I needed somewhere to go to just get away from people when I was little. It was an escape for me. I took comfort in walking on the trail with dense trees and bushes on either side of me. I learned how to identify them at an early age, and started to learn their medicinal uses. I would pick the berries from the saskatoon bushes, pluck leaves from other trees to see if they had a distinct smell, and I even cured someone else’s headache with a willow branch once. I started drawing trees after I graduated high school. I was mostly drawn to trees that grew low and had dramatic branching patterns, like desert or savannah trees. My favorite tree image was a stark black acacia tree silhouette without its leaves. I can’t explain why I started choosing to use them on my pots. I guess it was just the first defined image that came into my mind. I still don’t know if I can really answer the question with words. It doesn’t seem like enough.

The poem is a continuation of how I still feel. I just want things to go back to normal so badly… I want things to go back to how they were before I became so picky. The university art world has changed me, and not all change is good. I have decided to try and be less picky. I also want to try to keep my other lost talents in practice, like drawing and playing guitar and piano. I just want my life to feel balanced and positive again.

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Hanging on, Hoping for…

Water Lily close up

Oh, home. How I love the feeling of being home.

One James Bond martini, one episode of “Bones”, and half a movie later, I almost feel relaxed. It’s good to be home. I am home at my dad’s place, and I’m beginning to feel human again. I have the freedom to relax and lounge or sleep when I feel like it, I have the freedom to exercise on the floor, and I feel almost satisfied with that alone. I just want sleep and the option to exercise when I choose. Of course, the freedom to eat junk food when I feel like it is also nice. When I looked into the mirror today, I saw something familiar– I saw abs definition beginning to form! It feels good to be moving back towards the old “me” for a change. The me who knew sleep and exercise and day-dreaming. I went to work today, which also felt like a form of “home”.

I love the place where I work. As soon as I walked in the door, the same old familiar smell greeted me. It was the smell of botanical herbs layered on top of fresh baked bread, melted beeswax, and cooking eggs. Oh, how I love the smell of that place. Every summer, something happens there to make me swear that I will never return– but every once in a while, I offer help for Christmas, just for a change. There’s something magical about the place during the winter. The store stays quiet, and I watch snow out the window. I have plenty to keep me busy. Salves and teas and supplements need to be made, and I am more than happy to stay on task. As long as I show up caffeinated, healthy, and in a good mood (supported with good music or Wyoming NPR radio), I can accomplish whatever needs to be done around the store in half the time.

I guess I feel like working there is one of the few constants that I can claim in my life right now. I can’t claim that I have an apartment of my own. I can’t claim that I have any idea where I will be living in January. I can’t claim that I even have a bedroom at my mom’s place. The one thing I can claim is that I know what I am doing when I am at work in the botanical lab. I feel at home there. If a tincture, a blend, a salve, or a tea has to be made, I feel confident that I can accurately produce it, and the familiar smells of the herbs let me know that I have somewhere I belong.

How often does it really happen where I know a place hasn’t changed much in 5 years? My mom moves about every 2 years, on average. Sometimes more, sometimes less. The point is, I love her dearly, and I love my father as well– but things change so rapidly that I can’t keep up. The only place I really can go back to is my job, where I can move swiftly and gracefully around the botanical lab. Honestly, every day is different. I can never get bored there. New people are always showing up to drive me crazy, to befriend me, to show me that life doesn’t consist of a single type of person. I learn new things every day. I am humbled, knowing that I can’t possibly know everything. The job is about learning how to deal with new things, new details. I have to deal with special customers, do research on the spot to answer questions efficiently, and help the customers walk away confident knowing that someone is genuinely trying to solve their problem with them. That in itself gives me sustenance knowing that I can make some sort of change, or put one mind at ease at a time.

I guess all of this recent drama nad not sleeping in a real bed for a month has changed my point of view. I am more grateful for things that I haven’t had. I am more careful, more clean, and more aware of my surroundings. It has brought me to a sort of clarity.

I guess the clarity has helped me realize that people in the studio aren’t actually my friends. Yes, I can be friendly with them, but no, I should’t lose any control around them– because they are either my competition, or they are disposable. They don’t personally care about me. Yes, I have made one or two close friends through the studio. That doesn’t mean that I should consider everyone in the studio my friend. Successful people have enemies, and I have to accept that.

I did fairly well at the Holiday sale this year, even though I didn’t bring in the most cash. It made me feel uncomfortable. I shouldn’t feel uncomfortable for being successful, but in the studio, there has been growing tension despite any financial advances. I guess the fact that I brought in over $1100.00 this semester doesn’t help social matters much.

I feel like I have maybe a friend and a half in the studio this semester, and the half-relationship is fragile. Maybe it would have been easier to simply declare a drawing/painting major, since that’s what I excel at. I guess I just wanted to make it harder on myself by actually learning more and not settling for what I already know.

Ceramics is a challenge for me. I know that. I guess it just got more competitive since I realized that I don’t have many friends in the studio. The thing is, I know that I am learning, and it feels good to progress in something that used to seem so difficult to conquer. I used to be terrified of learning how to fire a kiln on my own. Now it seems like a chore that just takes extra time out of my week. It doesn’t really seem like a big deal anymore. It’s almost invigorating, when I take the time. Someday, I will have a permanent place of my own– permanent enough that I can at least invest in a couple of kilns, some glaze materials, clay materials, and some sort of ventilation system. I just need a place that will give me permission to set up a studio. I have been saving up to either go to Australia to study abroad, or to buy my very own Cone 10 Gas Fire Kiln to keep in my place… an electric kiln should be easier to come by. I could probably find one online for under a grand. I would prefer a Lockerbie kick-wheel… but the chances of being able to afford all 3 at once is a total fantasy. Plus, the main issue of finding a space… that could be tricky. It would have to be somewhere conceivably permanent, so it would have to be after residencies/grad school, and it could NOT be at  either of my parents’ house, so it would inevitably mean that I have to get my own legitimate place before I can set up seriously and invest in 2 kilns and a wheel. I guess it will be a while off from now.

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Stolen Sleep

 

This sinking in my stomach eats me alive

It’s all I can do to learn to survive.

“Hang in there, hang on,” my friends tell me.

If only it were so easy, if only they could see.

Dragging on, drag on and on,

Waiting to enjoy the simple things–

Dragging on, drag on and on,

This devil round-about sings.

One day gone, the next they’re back,

In my mind? I’m losing track.

Days and night blend, I don’t sleep.

Insomnia becomes trend, no alarms beep.

I could use simple words, or none at all.

“Hey, how are you?”– “Not bad at all.”

Unspoken suffering, hidden by a smile,

Inside, I’m seething, seeking my trial.

“Break out your big guns, don’t hold back”

“Save the evidence, try to keep track.”

Words I hear, things I have to do…

The only way I can get back to–

Dragging on, drag on and on,

Wanting to enjoy the simple things–

Dragging on, drag on and on,

Back to a simple way of being.

I’ll find my peace, my own natural high

New songs to whistle, dreams to make me fly.

I’ve got new appreciation, new respect.

I’ve got a new fear, too much to protect.

Gotta move on, gotta get out–

I’ve gotta change what I’m all about.

My mind is ablaze with the thought of winning,

Transforming this challenge into a new beginning.

Dragging on, drag on and on,

Hoping to enjoy the simple things–

Dragging on, drag on and on,

Today I’ll win, today, I’ll sing.

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Silence is Me.

     * Grass Bud Vase– grolleg porcelain decorated with incised lines and inlaid mason stain, cone 10 reduction.

Silence is Me.

Innocence replaced with cruel condescension,

Past revisited- time for reinvention.

Find me waiting, lost in turmoil,

Anticipating one last recoil.

The future appears, finds me waiting.

Face what I fear, hell-bent on changing–

Return to before the world became dead,

Before innocence was scorned, before love fled.

The frivolities of daily life remove me from thought

Distract me from vision, entertain me not.

The devilish beating of my heart reminds me–

I live here and now, with meaningless vanity.

Among this disposable society I lead my way,

Get caught up in pleasing,’til they throw me away.

Sense the emptiness? The vacuum of connection–

Monkey see, monkey do, no self-reflection.

Words like knives cut me to the bone

Stuck in my head, they won’t leave me alone.

Words are the enemy, the weapon, the lies.

Words are contention, confusion- keep all inside.

Obsess over words spoken, they plan my demise.

Too many thoughts, lines I despise.

Speaking is unrest. Silence is key

Silence is resolution, silence is me.

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Why Trees?

 

Things are going well. Really well. It’s amazing, the roller coasters that are dragging me around lately… the workshop was great, but just before that I felt like I lost three friends. The workshop was over a week ago now. This past week was busy in its own way. I was sometimes reminded that it was Halloween, but mostly I forgot. Monday was a normal critique day. On Wednesday, I had my critique in mold-making. I only saw two people in costume at the studio, and the only other place I went was work, and nobody was dressed up. It usually feels like Halloween when I walk into work anyway. There are Halloween decorations that just kind of hang around year-long, and various poisonous mushroom photos and sculptures. On Thursday, I left work early to go hiking with a friend. On Friday, the studio was empty until intro students showed up for class. At 5:00pm, there was an opening reception at the gallery for the Annual Undergraduate Art Exhibition. I got some food and started walking around to look at the work. When I finished looking at the paintings/photos on one wall, someone whistled to get everyone’s attention. She announced that there were awards to hand out. I didn’t know anything about awards. I was just happy for an opportunity to show my work at the gallery. (No, I didn’t enter the vase from the photo above. That’s just one that was sitting in my room that I made for class. It’s porcelain with carved inlay and a celadon glaze inside) She said that awards would be handed out from last to first place. She started with honorable mentions, then paused, and announced that third place went to a cool cut print. 2nd went to… a painting, I think. The announcer lady paused and explained that this year they had two awards left to give (and I was zoning out at that point so I don’t remember why) and she paused again, then said “Kira Call!”

I was in shock, so I just kind of stood there for a second. I really didn’t expect my little tree jars to get much attention. The announcer looked around, so I stepped forward. Everyone was watching me, and my hands were shaking when I accepted it. I had to sit down because it made me so excited/nervous. My award had a really weird title. “Department Head Recognition of Excellence Award”. Attached to the certificate was a personal check from the department head. I didn’t realize that it was a personal check at the time. First place went to a photo of a toy tractor.

I sat and kept eating my food while my nerves settled down. My professor came over to congratulate me. He asked me about the check prize, then told me that they found funds for it outside of the art department (personal money). He asked me if there was anything attached to the pedestal were my pieces were to let other people know that I won an award for them. I said that I didn’t know. He said that he would go make sure that they did have some mention of it– he immediately got up and went over to talk to the coordinator. I think there was some note already attached to the winning pieces… or if not, there was by the time I got around to looking at them. I thought it was cool that he was concerned about it. After that, I went back to the studio to work.

I can post a picture of the actual piece later, but I forgot to take the photo while I was at the gallery. The piece is called “Why Trees?” as an inside joke/remark on the inside joke. My last critique ended with that question circulating around the room. I don’t see why it needs an answer, so I thought it was a fitting title for the petite porcelain jars with trees painted on them. 🙂

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New Ideas, New Challenges.

**This is a quick photo of some of the new ideas I’ve been working on lately… decorated porcelain FIGURE MUGS! Some people love them, some just look at them like they might get up and attack. I came up witht he idea one late night at the studio, at around 2:00am… so yes, I was a little sleep deprived. The next day after making the soft-slab silhouettes, I put them together and attached pulled handles. The red paint is actually a vibrant blue underglaze, after being glazed and fired.

Ok, so things have been going at a fast pace… last week was great until the end of Friday night. We had a visiting artist arrive on Monday afternoon (ceramic artist and professor at Texas Tech: Von Venhuezen). I was in the process of making a three-part mold for mold making as well that day. We had some beers with Von at the bar. On Tuesday, he demonstrated for us all day long. It was great. During the demonstration day, I asked someone out for coffee for the next day. Later on Tuesday night, I priced and packaged up all of my 23 chili bowls for the sale that was scheduled to be all day Wednesday. After packing up the bowls, we went to pizza with the visiting artist, and then I took off with friends to the bar for a quick drink before heading to a jazz guitar recital/concert. It was great. Someone had told me earlier that it was supposed to be classical instead of Jazz, but I was only slightly disappointed. The next day at around 11:00am, I went to coffee with the new guy. It was nice. We stayed until my chili bowl sale shift that started at 1:00pm. When I got there, people told me that most of my bowls had already sold. All of the turquoise glazed bowls were gone (expectedly). I knew it would be a good-selling glaze. I contrasted it with a dark glaze on the interior of the bowls. I stayed until after we cleaned up at 4:00pm, went back to the studio for a few minutes, then went home and immediately crashed. I went to work all day Thursday, and on Friday I made a lot of slip-cast work and went to the closing reception for the grad show in the campus art gallery. After that, there was a party at one of the grad’s houses. It was fun– everybody got pretty drunk, but things didn’t get too crazy.

On Saturday, I was supposed to get up early to install the undergrad show– but I couldn’t drag myself out of bed. I went home for a day. My mom fed me a medium rare steak, and I actually enjoyed it (I haven’t had any red meat in about 4 years now, so it was a big deal). The latest news is that it turns out that the mattress that the realty company sent over when I moved into my new place is infested with bed bugs. I haven’t really noticed them until now– I cast it off as an allergy to the carpet cleaning solution because when the bumps first showed up they just looked like hives, and they corresponded to how I laid on the carpet to exercise in the morning. Lately it has just been getting worse, so last night I totally freaked out and decided to sleep on my covers (that didn’t solve anything), and today I plan on stripping the bed, spraying my whole room down, and letting it air out for a while. I swear my landlord hates me. Things keep popping up– first she told me that when I moved, the rate would be $50.00 higher than she initially told me, and my rent online account is still trying to charge me $100.00 more than the raised price, and now bed bugs. Go figure.

As a recap for my personal life since I last wrote, I had a short fling with a guy that lasted from about the time I moved out of the old place until two weeks ago. Now it’s over and things are awkward. And he wanted to come to pizza with us when we went with the visiting artist last week. That was weird. Anyway, now I am trying to get to know someone new, but my friends warned me that he could turn out to be a philandering jerk– but as far as my faith in men goes, that will work for now. He seems like a good enough guy to me, and he is attractive. I have dated worse…

In class, we have started slip-casting, and I am in love with the grolleg porcelain clay body I am using. I can’t throw very tall forms with it, but it’s great for hand-building and slip casting, and it’s so white that it seems to glow after being fired. I have been moving more toward small-scale sculpture lately… I will post pics eventually.

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Moving… again.

 

So… I guess I’m moving again. The place is too small. I get along great with the neighbors 😉 but I just can’t live in such a small space with only one window with another person. I need more light and more personal space. It’s nothing personal.

The photo is of a small teabowl from last semester– salt fired turquoise oribe with black slip fired at cone 10.

 

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Somethin’… or somethin’.

 

Here is another side of the sake/soy sauce server… I just thought it was good timing for it 🙂 Yesterday in the studio I was working on a big ewer, a narrow bottle, and a comical little soy sauce server.

I mixed porcelain clay the other day, but I haven’t touched it yet. I wanted to give it a little bit of time to be more workable. Plus, I have a ton of reclaim to use still. I have just been grabbing fistfuls of mushy clay out of the bucket, wedging it right then, and throwing with it immediately.

We are working with drape molds as a class in the studio, and I came up with a way to make disposable frames that are still sturdy… so if I get sick of the shape or decide I don’t like it/don’t have anywhere to put it, I can just chuck it. I made three frames with matt board yesterday and made forms with two of them (one was the soy sauce server, the other was the narrow bottle.

I will try to post a WIP photo soon 😉

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